Tag: Viola Davis

Air | Review

Sole Surfer: Affleck Revisits Impetus of Landmark Shoe Line It’s difficult to ascertain where Ben Affleck’s storytelling interests lie even as he’s slowly but surely...

The Unforgivable [Video Review]

Healing the emotional wounds in the present day from the missteps of the past is part of the taxing bliss found in Nora Fingscheidt's...

Ma Rainey’s Black Bottom [Video Review]

It’s Rainey’s Men: Wolfe Wows with Ardent Adaptation of Eloquent Wilson Play August Wilson, arguably the most notable and influential Black playwright lionized for his...

Troop Zero | Review

Feeling Like a Number One: Bert & Bertie Get Glossy with Good Intentions For those who prefer to view the world through rosy-tinted glasses, there’s...

Suicide Squad | Review

Monsters, Inc.: Ayer’s DC Comic Mashup is All Bark and No Bite Try as he might, director David Ayer’s valiant efforts to counter the onslaught...

Lila & Eve | Review

Day of the Mother: Stone’s Flighty Revenge Thriller Favors Laughs There’s a certain degree of entertainment to be gleaned from director Charles Stone III’s latest...

Justice For All: Samuel Goldwyn Films Take “Lila & Eve” into their Own Hands

Samuel Goldwyn Films weren't especially active during Sundance this year, but are smoking barrels today with the pick-up of Charles Stone III's Lila &...

Blackhat | Review

Black in the Saddle: Mann’s Cyber Thriller Forgets Thrills Though clearly uninterested in providing conventional thrills with his first theatrical release in six years, director...

Get On Up | Review

The F in Funk: Brown’s Biopic Lodged in a White Man’s World For all the preliminary grumbling about white actors portraying Egyptians in a...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...