Tag: Zhao Tao

Caught by the Tides | Review

The Tide is High: Zhangke Splices Thwarted Romance Across Changing Times Filmmaker Jia Zhangke presents something of an experimental anomaly with his latest feature, Caught...

Ash Is Purest White | Review

Love is Like a Stove: Zhangke Tackles Genre in Time-Spanning Romance Chinese auteur Jia Zhangke continues to experiment in tone and form with his latest...

2018 Cannes Critics’ Panel: Day 5 – Jia Zhangke’s Ash Is Purest White

An habitual of both Cannes and Venice, now in his third decade of filmmaking, Jia Zhangke first arrived in Cannes for 2002's Unknown Pleasures, then...

Top 100 Most Anticipated Foreign Films of 2018: #9. Jia Zhangke’s Ash is Purest White

Ash is Purest White Chinese auteur Jia Zhangke has been internationally renowned since 2000’s Platform, which also was the auteur’s first collaboration with his wife,...

Tracking Shot: Alistair Banks Griffin, Brady Corbet & Karyn Kusama Shooting in December

“Tracking Shot” is a top of month featurette here at IONCINEMA.com that looks at the projects that are moments away from lensing and as...

2015 Cannes Critics’ Panel Day 8: Zhangke’s “Mountains May Depart” Sees “The World” as Capitalist

Almost splitting his time equally between the Lido and the Croisette, with almost a dozen features in (a mix of fiction and docus), Jia...

Top 100 Most Anticipated Foreign Films of 2015: #10. Jia Zhangke’s Mountains May Depart

Mountains May Depart Director: Jia Zhangke // Writer: Jia Zhangke A preeminent figure in the Sixth Generation movement of Chinese cinema, Jia Zhangke is arguably one...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

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Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...