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IFC Films 'Don't Look Back' to Cannes Critical Reception

Posted by Eric Lavallee on May 29, 2009
Source: Screen Daily

With across the board poor ratings from the critics (dozen or so polled in Le Film Francais) who saw the film at Cannes, if there is a reason why IFC Films have gone and picked up Marina de Van's out of competition psychodrama, it is because of the silver screen vixen pairing of Sophie Marceau and Monica Bellucci in doppelganger mode. I'm guessing that Ne te retourne pas (Don't Look Back) will probably go the VOD route.

Written by Marina de Van and Jacques Akchoti, this delves into the weird and wonderful, in particular the theme of double identity. Jeanne (Marceau), a married mother of two, realises that her body is changing and nobody notices but her. Despite being surrounded by people who make what’s happening seem less important as she thinks, Jeanne is convinced that something important is going on.

Bellucci is currently filming Jon Turteltaub's The Sorcerer's Apprentice and will next headline Bruce Beresford's Get It at Goode's. Here are Don't Look Back's pair of trailers.

Trailer 1: Sophie Marceau

 Trailer 2: Monica Bellucci



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Zeina Durra

Zeina Durra

My casting director suggested her and I went to Paris to meet her. She loved the script and she's an amazing actress so of course I wanted to work with her. Playing an artist is very hard as it can come of as super fake, but Elodie is an artist in real life and that translated. Who doesn't like Dream Life of Angels?!

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2010 Berlin Int. Film Festival (60th)

Up to 400 films are shown every year as part of the Berlinale's public programme, the vast majority of which are world or European premieres. Films of every genre, length and format can be submitted for consideration. The Berlinale is divided into different sections, each with its own unique profile: big international movies in the Competition, independent and art-house productions in Panorama, movies specially for a young audience in the Generation section, the most exciting German cinema productions in Perspektive Deutsches Kino, an in-depth look at films from “distant” countries and experimental forms in the Forum, as well as an investigation of diverse cinematic possibilities in the Berlinale Shorts. The programme is rounded off by a thematic Retrospective and a Homage, which focuses on the lifework of a great cinema personality. Both of these sections, which are curated by the Berlin Film Museum, aim to place contemporary cinema within a historical context.


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