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Stepne | 2023 Locarno Film Festival Review

The Land That Time Forgot: Vroda Mines Eroding Memories in Speculative Debut Thomas Wolfe meant You Can’t Go Home Again metaphorically, but such might literally...

IONCINEPHILE of the Month: Mark Jackson’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? In 2018, Mark Jackson launched his third feature...

The Conversation: Producer Martin Gschlacht

Austrian producer Martin Gschlacht has been an active proponent of Austrian (and eventually Iranian) cinema since the late 1990s, and has quietly amassed a...

The Conversation: Top 10 World Cinema Filmmakers Missing in Action (Class of ’17)

As we get ready to wrap up the cinematic offerings of 2017, it’s time to revisit those auteurs we haven’t heard from for a...

Disappearance | 2017 Toronto International Film Festival Review

Terms of Estrangement: Koole Poses Familial Woes in Chilly Scenes of Winter “Family is just accident…,” remarks one of the tortured characters in Marsha Norman’s...

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Fuori | 2025 Cannes Film Festival Review

Hoosegow Girls: Martone Pays Delicate Tribute to Goliarda Sapienza ...

It Was Just an Accident | 2025 Cannes Film Festival Review

Phantom Limb: Panahi Treads Ripples of Retribution Jafar Panahi continues...

2025 Cannes Critics’ Panel: Day 8 – Mario Martone’s Fuori

In an even split, and in two different waves,...

2025 Cannes Critics’ Panel: Day 8 – Jafar Panahi’s ‘It Was Just an Accident’

Jafar Panahi might be more synonymous with Berlin say...

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