Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2022 Sundance Film Festival Predictions: Sophie Hyde’s Good Luck to You, Leo Grande

It may become a once, twice, and third selection is a charm for filmmaker Sophie Hyde this coming January. The Aussie helmer saw her...

2022 Sundance Film Festival Predictions: Anna Rose Holmer & Saela Davis’ God’s Creatures

After delivering the goods with one of the best directorial debuts (and Sundance Film Festival NEXT section selections) in recent memory, for her sophomore...

2022 Sundance Film Festival Predictions: Billy Luther’s Frybread Face and Me

Among all the items unveiled in our set of Sundance predictions, Billy Luther's film is the one we believe that most recently wrapped up....

2022 Sundance Film Festival Predictions: Dan Kwan & Daniel Scheinert’s Everything Everywhere All at Once

We were in the mindset that thought that a 2021 playdate was in the cards for Dan Kwan and Daniel Scheinert's Everything Everywhere All...

2022 Sundance Film Festival Predictions: Mark Jenkin’s Enys Men

A two decade filmography that includes five features films, a steady supply of short films and emphasis on docu items, it's Mark Jenkin's last...

Breaking

Digger | Review

Interview: Arthur Harari – The Unknown

Three features in, Arthur Harari might be one of...

Primetime | Review

The Catcher in the Sty: Oppenheim Skewers Hack Journalist It’s...

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...
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