Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Video: Michel Franco – April’s Daughter (Las hijas de abril) – 2017 Cannes Film Festival

While some could say he was relegated or took a step down from the prestige of the Official Comp, the Cannes Film Festival has...

Video: Roman Polanski’s Based on a True Story – 2017 Cannes Film Festival

Received with a rather chilly reception, the final film and press conference of the fest was for the non comp item closer by Roman...

Video: Belle de Jour (1967) | Jean-Claude Carrière – 2017 Cannes Film Festival

It's a section I rarely allow myself to venture towards during the madness of what is the Cannes film fest, but in most cases...

Video: Sean Baker’s The Florida Project – 2017 Cannes Film Festival

His first trip on the Croisette, Sean Baker's The Florida Project was presented in the Directors' Fortnight section as a world premiere screening. In...

Video: Chloé Zhao’s The Rider – 2017 Cannes Film Festival

Here is pre-screening presentations for The Rider - the Directors' Fortnight selected film. Filmmaker Chloé Zhao and cast were present for her sophomore film world...

Breaking

IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Only the Lonely: Ulrich Seidl Travels to Dark Tourism Places with ‘Distances’

The folks art Cineuropa are giving us a major...

History Repeating Itself: Magnus von Horn Train Hops with Jeremy Strong in ‘The Passenger’

Hopefully at some point it'll lose the over-used, generic...
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