Exclusive articles:
Host | Review
Ghost in the Machine: Savage Speaks to the Moment with Creative Horror
In what plays like a logical extension of the found footage subgenre, UK...
The Tax Collector | Review
Taxation without Representation: Ayer Gets Absurd in L.A. Crime Noir
The most interesting element of David Ayer’s latest crime thriller The Tax Collector is how...
Retaliation | Review
In God They Trust: The Shammasian Bros. Skirt Exploitation in Brooding Character Study
There are certain subjects the mere presentation of which conjures overzealousness parameters...
Love is a Battlefield in Visconti’s Swan Song, L’innocente (1976) | Blu-ray Review
Premiering out of competition at the 1976 Cannes Film Festival just two months after he died from a stroke, Luchino Visconti’s final masterpiece, The...
The Burnt Orange Heresy | Review
Pleasure to Burn: Capotondi Returns with Entertaining Neo-Noir
Murder really can be turned into art, it seems, in Giuseppe Capotondi’s return to narrative filmmaking with...
