Exclusive articles:
The White Crow | Review
Defector Becomes Him: Fiennes Revisits the Westernization of Rudolf Nureyev
There’s much to admire in the third directorial outing of actor Ralph Fiennes with The...
The Conversation: Last But Not Least for Cannes 2019
With the main competition and the sidebar programs all unveiled, we await news of one or potentially two last-minute titles added to the competition,...
The Conversation: Producer Martin Gschlacht
Austrian producer Martin Gschlacht has been an active proponent of Austrian (and eventually Iranian) cinema since the late 1990s, and has quietly amassed a...
Under the Silver Lake | Review
Under the Sun of Satan: Mitchell’s Messy Neo Noir Revels in Elitist Superficiality
Look no further than David Robert Mitchell’s third feature, the labored neo...
Milland Gets Murderous in Dwan’s The River’s Edge (1957) | Blu-ray Review
In the extensive filmography of director Allan Dwan, there’s perhaps no more glorious period of his filmmaking than his DeLuxe color film noir period...
