Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Top 100 Most Anticipated Foreign Films of 2018: #40. Joanna Hogg’s The Souvenir: Part I

The Souvenir: Part 1 British director Joanna Hogg has remained one of the UK’s most underrated auteur assets since breaking out of television in the...

Top 100 Most Anticipated Foreign Films of 2018: #41. Alice Winocour’s Proxima

Proxima Cesar Award Winning writer-director Alice Winocour (Best Screenplay for 2015’s Mustang, shared with Deniz Gamze Erguven) landed a Special Screening at Cannes for her...

Top 100 Most Anticipated Foreign Films of 2018: #42. Terry Gilliam’s The Man Who Killed Don Quixote

The Man Who Killed Don Quixote There are few doomed cinematic projects sharing the trajectory of Terry Gilliam’s troubled The Man Who Killed Don Quixote,...

Top 100 Most Anticipated Foreign Films of 2018: #43. Malgorzata Szumowska’s Mug

Mug Polish director Malgorzata Szumowska has been steadily making features since 2000, but her 2011 film Elles (read review) was an initial international breakout thanks to...

Top 100 Most Anticipated Foreign Films of 2018: #44. Wash Westmoreland’s Colette

Colette American Wash Westmoreland makes a rare entry in our world cinema line-up with his latest feature, Colette, his first solo outing after the passing...

Breaking

2026 Cannes Film Festival Predictions: Palme d’Or – Part 1

In less than two weeks, Thierry Frémaux will unveil...

YES | Review

Break My Soul: Lapid Explores Compromised Artistry During Wartime Essentially,...

Kontinental ’25 | Review

Can You Ever Forgive Me?: Jude Skewers the Status...
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