Exclusive articles:
The Marseille Trilogy | Review
In 2017’s first major (and highly impressive) restoration, Janus films breathes new life into novelist/playwright/director Marcel Pagnol’s indelible Marseille Trilogy, a triptych of films...
Newness | 2017 Sundance Film Festival Review
Never Gonna Fall for Modern Love: Doremus Deftly Navigates the Hurtles of Millennial Romance
Acute technological advancement has proffered up new, albeit problematic conceptions as...
Where is Kyra? | 2017 Sundance Film Festival Review
Identification of a Woman: Dosunmu’s Exacting Arthouse Drama of Suffocation and Alienation
Nigerian born director Andrew Dosunmu branches out with an unexpectedly somber portrait of...
Call Me By Your Name | 2017 Sundance Film Festival Review
His Summer of Love: Guadagnino Returns with Perceptive, Tender Sketch of First Love
Presented with an intoxicating combination of old fashioned reticence with bold and...
Berlin Syndrome | 2017 Sundance Film Festival Review
He’s a Collector: Shortland Returns to Germany for Simmering Psychological Thriller
Australian director Cate Shortland, most revered for her 2013 sophomore feature Lore, returns once...
