Exclusive articles:
The Girl on the Train | Review
Those Who Love Me Can Fake the Train: Taylor’s Silly Soap Opera Thriller
Actor turned director Tate Taylor proves to be even less adept crafting...
Being 17 | Review
Changing Times: Téchiné Skews Youthful with Enjoyable Drama
Director André Téchiné manages his most emotionally rewarding venture in well over a decade with Being 17,...
The Birth of a Nation | Review
Born Again: Parker Resuscitates Turner Narrative in Painful Labor of Love
An odd, continued legacy of unquestioned applause greets the reception of actor Nate Parker’s...
The Greasy Strangler | Review
Grease is the Word: Hosking’s Repellant Debut Revels in Grotesque
There’s a certain insane glee lurking within Jim Hosking’s directorial debut, The Greasy Strangler, a...
Criterion Collection: Cat People | Blu-ray Review
The concept of ‘psychological horror’ is a genre notion all but extinct in modern cinematic renderings of thriller narratives, a once lucrative subgenre considered...
