Exclusive articles:
What We Do in the Shadows | Review
Friends Forever: Clement & Waititi’s Pleasantly Charming Vampiric Mock-Doc
That immortal cinematic archetype, the vampire, has once again been commandeered into the periphery of independent...
Da Sweet Blood of Jesus | Review
S’Blood: Lee’s Facsimile of Bill Gunn an Odd Satisfaction
Surprisingly, after the failure of his 2013 remake of Park Chan-wook’s Oldboy, provocateur Spike Lee’s latest,...
The Voices | Review
Playing Off-key: Satrapi’s English Language Debut a Grating Misfire
Iranian born director Marjane Satrapi, best known for her 2007 debut, Persepolis, and a 2011 follow-up,...
I Am Michael | 2015 Sundance Film Festival Review
True Story: Kelly’s Objective Exploration of Sensational Subject
For his directorial debut I Am Michael, Justin Kelly takes a provocative, controversial subject and crafts it...
Jupiter Ascending | Review
Space Princess Diaries: Wachowski’s Space Adventure is Intergalactic Hooey
Those craving the intelligent sci-fi that graced their early 1999 sci-fi classic The Matrix are sure...
