Exclusive articles:
The Damned Don’t Cry | 2022 Venice Film Festival Review
A Boy’s Best Friend is His Mother: Boulifa Explores Complex Symbiosis in Mother-Son Drama
Although it’s cribbing the title of a 1950 Joan Crawford starrer,...
Beyond the Wall | 2022 Venice Film Festival Review
Blind Man’s Bluff: Jalilvand Plays Cheap Tricks with Overwrought Melodrama
To crib from (of all people) Margaret Thatcher, no one would remember the Good...
Lord of the Ants (Il signore delle formiche) | 2022 Venice Film Festival Review
Triumph of the (Court's) Will: Amelio Delves into Infamously Homophobic Italian Court Case
Perennial Italian auteur Gianni Amelio goes back to the contentious political climate...
Speak No Evil | Review
Dial M for Manners: Tafdrup Uses Cruel Intentions to Play Funny Games
Oftentimes the simplest, most realistic scenarios breaking through the veneer of contentment and...
When the Waves Are Gone | 2022 Venice Film Festival Review
When Fair is Foul: Diaz Attempts Neo-Noir in Interminable Derivatives
In the twenty plus features Filipino auteur Lav Diaz has premiered over the past two...
