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Men | Review
Take Back the Fright: Garland Returns with Cryptic Fable on Trenchant Misogyny
The tagline for George Cukor’s 1939 classic The Women, which notably featured...
Marcel! | 2022 Cannes Film Festival Review
Dog Gone: Trinca Debuts Pleasant Semi-autobiographical Dramedy
“I’m devoted to divination,” sniffs a haughty Alba Rohrwacher as a self-centered mother in Jasmine Trinca’s directorial debut,...
Frère et soeur (Brother and Sister) | 2022 Cannes Film Festival Review
I’m Not One of Your Fans: Desplechin Delivers Camp Classic with Failed Melodrama
No one depicted in Frère et soeur (Brother and Sister), the latest...
Goutte d’Or (Son of Ramses) | 2022 Cannes Film Festival Review
Sun of a Gun: Cogitore Returns with Cryptic Drama on Violence, Exploitation
France’s Clément Cogitore is clearly a fan of the mysterious and inexplicable sinews...
The Woodcutter Story | 2022 Cannes Film Festival Review
One Flew Over the Cuckold’s Nest: Myllylahti Contends Hope Floats in Black Comedy
By their nature, fables provide fanciful cinematic avenues of metaphorical expression as...
