Tommaso Tocci

64 POSTS
A freelance film critic and programmer, Tommaso Tocci is based between Paris and Rome. He covers the European festival circuit and he's a member of FIPRESCI and the International Cinephile Society. His Top 3 for 2021: After Blue (Bertrand Mandico), Titane (Julia Ducournau), What Do We See When We Look at the Sky? (Alexandre Koberidze).

Exclusive articles:

The Days to Come | 2019 New Horizons Intl. Film Festival Review

Becoming a We: Marques-Marcet Keeps it Real with a Micro-Drama of Love & Pregnancy Completing a trilogy of sorts about life getting in the way...

Interview: Rick Alverson – The Mountain

The Mountain feels like a departure for Rick Alverson, whose brand of deliberately challenging and unconventional cinema is evolving beyond the scope of his...

The Mountain | Review

Who’s Wally?: Alverson Goes Retro with Punishing, Complex Period Drama Always intent on making his audience do some of the work, American indie helmer Rick Alverson...

Hail Satan? | Review

The Politics of Evil: Lane makes Satanists of Us All with Amusing, Thought-Provoking Doc Docu filmmaker Penny Lane explores the contradictions of society, religion and politics...

Top 10 Takeaways from the Mike Leigh Masterclass | 2019 Luxembourg City Film Festival

Sitting down with French critic Michel Ciment, Mike Leigh delivered last week a masterclass at the Luxembourg City Film Festival, touching on career milestones...

Breaking

2025 Cannes Critics’ Panel: Day 11 – Kelly Reichardt’s ‘The Mastermind’

While she has dropped world premieres at Sundance and...

2025 Cannes Critics’ Panel: Day 11 – Dardenne Bros.’ ‘Jeunes mères’

Winner of the Palme d'Or for 1999's Rosetta (which...

2025 Cannes Critics’ Panel: Day 10 – Bi Gan’s ‘Resurrection’

An already acclaimed filmmaker in his own right after...

2025 Cannes Critics’ Panel: Day 10 – Saeed Roustayi’s ‘Woman and Child’

Iranian filmmaker Saeed Roustaee (also spelled Saeed Roustayi -...
spot_imgspot_img