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2017 Cannes Critics’ Panel Day 9: Critics Getting High with Benny & Josh Safdie’s Good Time
May 25, 2017You always remember your first time. I was there when the two pees in a pod,...
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2017 Cannes Critics’ Panel Day 9: Sofia Coppola’s The Beguiled Mushrooms into Critic Fave
May 25, 2017A longstanding “member” of Cannes well before she showcased her skillset with The Virgin Suicides in...
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2017 Cannes Critics’ Panel Day 9: Hong Sang-soo’s The Day After Contains Color
May 25, 2017I’ve been running behind with our grid, now in the clear and past the half way...
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2017 Cannes Critics’ Panel Day 6: Things Fall Apart in Michael Haneke’s Happy End
May 23, 2017Whether it’s construction sites, karaoke numbers, hamsters or the elderly, Michael Haneke’s quasi sequel to Amour...
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2017 Cannes Critics’ Panel Day 6: Yorgos Lanthimos Does the Mash Potato with The Killing of a Sacred Deer
May 22, 2017He’ll be referenced as the one who began the Greek New Wave in cinema and there...
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2017 Cannes Critics’ Panel Day 6: Baumbach Buries the Hatchet with The Meyerowitz Stories
May 22, 2017Almost a dozen features in and The Meyerowitz Stories is Noah Baumbach‘s first time on the...
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2017 Cannes Critics’ Panel Day 5: Michel Hazanavicius Jump Cuts to Redoubtable
May 21, 2017The first week ends with the return of Michel Hazanavicius and his latest project, Redoubtable. He...
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2017 Cannes Critics’ Panel Day 4: Ruben Ostlund Tumbles Up the Stairs with The Square
May 20, 2017He received an earlier screening late last night and has been consider the buzz title (mostly...
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2017 Cannes Critics’ Panel Day 4: Robin Campillo Finds a Cure with BPM (Beats Per Minute)
May 20, 2017With not one, but two items in Cannes this year (the other being L’Atelier from Laurent...
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2017 Cannes Critics’ Panel Day 3: Kornel Mundruczo’s Jupiter’s Moon Has Trouble Getting Off Ground
May 20, 2017In comp for his third time and at the fest for a sixth time, Kornel Mundruczo...