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Don’t Worry Darling | Review
September 22, 2022Die, Die, My Darling: Wilde Makes Utopia a Dirty Word in Sinister Thriller “There’s beauty in...
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Petrov’s Flu | Review
September 22, 2022Delirium Tremens: Serebrennikov Maddens with Post-Soviet Magical Realism Historically, Russian cinema (and literature) always tends to...
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Athena | Review
September 22, 2022The World is (Not) Yours: Gavras Clumsily Tackles Civil Unrest, Police Brutality Recalling elements of his...
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Charcoal | 2022 Toronto Intl. Film Festival Review
September 18, 2022Business (Wo)Man: Rural Brazil Opt to Pray & Prey in Markowicz’s Debut If God isn’t listening,...
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The Silent Twins | Review
September 16, 2022Sistas With(out) Voices: Smoczynska Revisits Case Study of Antisocial Twins Poland’s Agnieszka Smoczynska makes her English...
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Blonde | Review
September 15, 2022Eccentricities of a Blonde-Haired Girl: Dominik Explores Our Assassination of Iconicity There’s no human who’s quite...
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La Gravité | 2022 Toronto Intl. Film Festival Review
September 15, 2022Planet Alignment: Ito Brings Sci-fi to banlieue Drama A standard issue banlieue crime pic is mashed...
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Runner | 2022 Toronto Intl. Film Festival Review
September 13, 2022Making Room: Mathias Unfolds The Fleeting Moments of a Relationship in Elegant Debut Amidst the unsparing...
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Thunder (Foudre) | 2022 Toronto Intl. Film Festival Review
September 10, 2022Jaquier’s Exploration of Spiritual and Sexual Awakening is a Divine Debut Work, marriage, death. These pastoral...
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Chiara | 2022 Venice Film Festival Review
September 9, 2022Sister and Her Sisters: Nicchiarelli Salutes a Saint in Solemn, Dull Period Reenactment The friendship between...