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Our Ties (Les Miens) | 2022 Venice Film Festival Review
September 9, 2022Fit to Be Tied: Zem Scuffles with Family Matters in Slight Drama For his sixth film...
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The Listener | 2022 Venice Film Festival Review
September 9, 2022Phone Call from a Stranger: Buscemi Conducts a Conduit of Trauma in Striking One-Woman Show Conjuring...
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The Damned Don’t Cry | 2022 Venice Film Festival Review
September 8, 2022A Boy’s Best Friend is His Mother: Boulifa Explores Complex Symbiosis in Mother-Son Drama Although it’s...
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Beyond the Wall | 2022 Venice Film Festival Review
September 8, 2022Blind Man’s Bluff: Jalilvand Plays Cheap Tricks with Overwrought Melodrama To crib from (of all people)...
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Lord of the Ants (Il signore delle formiche) | 2022 Venice Film Festival Review
September 6, 2022Triumph of the (Court’s) Will: Amelio Delves into Infamously Homophobic Italian Court Case Perennial Italian auteur...
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Speak No Evil | Review
September 6, 2022Dial M for Manners: Tafdrup Uses Cruel Intentions to Play Funny Games Oftentimes the simplest, most...
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When the Waves Are Gone | 2022 Venice Film Festival Review
September 5, 2022When Fair is Foul: Diaz Attempts Neo-Noir in Interminable Derivatives In the twenty plus features Filipino...
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Wolf and Dog (Lobo e Cão) | 2022 Venice Film Festival Review
September 5, 2022Dog Gone: Varejão Explores the Stifling Conditions of Traditions in the Portugal Archipelago Portuguese documentary filmmaker...
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Ordinary Failures | 2022 Venice Film Festival Review
September 5, 2022It’s Only the End of the World: Groșan Navigates a Triptych of Displaced Women in Pre-Apocalyptic...
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L’immensità | 2022 Venice Film Festival Review
September 4, 2022This Boy’s Life: Crialese Cuts Corners in Well-Meant Trans Coming-of-Age Drama Director Emanuele Crialese explores the...