Tag: Benoit Debie

Vortex | Review

All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death There’s no pleasure to be had, whatsoever, in the experiencing...

The Beach Bum | Review

Tales of Ordinary Madness: Korine Courts Cutesy in Outlandish Stoner Comedy It’s no fun being the designated driver, which is the position the audience of...

Climax | Review

Don’t Stop Till You Get Enough: Noe Does Sensory Deception with Latest Dark Odyssey Come again? Enfant terrible Gaspar Noe returns to cinema of...

Video: Gaspar Noé’s Climax | 2018 Cannes Film Festival

In terms of the narrative, it might be his most minimalist and arguably, this stands as Gaspar Noé's best film to date. In terms of...

Interview: Wim Wenders – Submergence

Globe-trotting, geopolitics and civil war are the wedges that place romantic connections in flux. No stranger to the human condition or working in a...

Interview: Gaspar Noe – Enter the Void

Noe’s subjective camera spends much of the first half in the hands of Oscar, while we watch the world through his eyes, and the second half of the film overhead, racing through hundreds of rooms with masked cuts. It lends an incomparable theatricality to the experience.

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...