All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death
There’s no pleasure to be had, whatsoever, in the experiencing...
Tales of Ordinary Madness: Korine Courts Cutesy in Outlandish Stoner Comedy
It’s no fun being the designated driver, which is the position the audience of...
Globe-trotting, geopolitics and civil war are the wedges that place romantic connections in flux. No stranger to the human condition or working in a...
Noe’s subjective camera spends much of the first half in the hands of Oscar, while we watch the world through his eyes, and the second half of the film overhead, racing through hundreds of rooms with masked cuts. It lends an incomparable theatricality to the experience.