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The Sea of Trees | Blu-ray Review

The Sea of Trees gus Van Sant CoverNearly every edition of the Cannes Film Festival seems to yield a significant misstep for at least one auteur premiering in competition. Less common are the stinkbombs treated to an overwhelming critical assault, but 2015 unleashed such an example with Gus Van Sant’s ludicrous melodrama, The Sea of Trees. Curiously, the lambasted property was picked up by A24 and quietly dumped into theaters fifteen months after its hazing, receiving a limited late summer release where it only managed a box office take of about twenty thousand dollars. Although it’s a title which can be regarded a bit less harshly when viewed away from the embittered perspectives of the global critical consensus, Van Sant received an unexpected reprieve thanks to a film even more viciously disavowed at the Cannes session a year later, Sean Penn’s The Last Face. Still, this schlocky dud from the trailblazing American auteur remains a hard pill to swallow, even for fans of the trio of notable actors headlining.

Whether you’re a fan or detractor of his period of ‘slow’ films, including 2003’s Palme d’Or winning Elephant, or his mainstream appeal with beloved dramas like 1997’s Good Will Hunting, one can’t argue with a certain amount of dexterity on his part as a filmmaker. But those hoping for a sensational return to any tone in particular are in for a pointedly disappointing time with his latest, The Sea of Trees. Hopelessly melodramatic and embarrassingly affected, it’s a film so emotionally tone deaf it makes Finding Forrester (2000) seem miraculous by comparison. Headlined by a high pedigree cast, awkwardly shuffled about in a revolving charade, the title is a major disappointment from the beloved filmmaker.

Struggling writer Arthur Brennan (Matthew McConaughey) mysteriously books a one way ticket to Tokyo in order to enter a dense forest, Aokigahara, known as The Sea of Trees. As he makes his way into the lush foliage, we realize the region is a place people come to kill themselves. At least we assume judging from the variety of corpses he stumbles upon before he takes out a bottle of pills and a yellow envelope with his wife’s (Naomi Watts) on it. Interrupted from his misery by the sound of a human in distress, Arthur assists Takumi Nakamura (Ken Watanabe), who has been struggling to make his way out of the forest after a failed suicide attempt. As the men help each other, we come to find what it is exactly that brought Arthur to such desperation.

Certainly, the enigmatic locale lends a certain ambience early on, with our grief stricken protagonist wandering about the lush forest as if stumbling onto the same swath of dumping grounds from The Ballad of Narayama. But as soon as the dazed and confused Ken Watanabe joins McConaughey, acting as if he was transported from the set of Godzilla to resume bumbling around, things start to head south real fast. Many of the moments in the forest feel brief, as if Van Sant is all too aware that intense focus here will quickly reveal the banality of the situation. And so we spend an extensive amount of time in flashbacks of Arthur Brennan’s. We’ve become readily accustomed to tell-tale signs of the stale, crumbling marriage, which screenwriter Chris Sparling (ATM) believes to be best conveyed via drunken skirmishes, particularly a cringe inducing dinner party that finds even the lovely Naomi Watts falling flat. And then we go on and on with their generalized middle class problems, leading, of course, to a medically related dilemma and a greater tragedy the film is so eager to divulge we see it coming a mile off.

Van Sant and Sparling save the best for last, however, in a third act wherein McConaughey outdoes his crying jag from Interstellar in multiple sequences. Such agony should be reserved for characters actually developed into entities we can feel something for, but the emptiness of The Sea of Trees instead only makes us feel bad for McConaughey, since we’re left wondering instead how many takes each of those overwrought sobs took to complete. The cherry on top is the finale, a dose of schmaltz so high it flies over the horizon of camp into the realm of concern—how did no one question the abject silliness of this endeavor? The Sea of Trees sinks under the weight of this maudlin conceit, so candy contrived it will make your teeth ache.

Disc Review:

The Sea of Trees comes to Blu-ray in widescreen high definition 2.40:1 with 5.1 DTS-HD Master Audio. Danish DP Kasper Tuxen does capture a brooding sense of mystery with the titular forest, but any success the film accomplishes with visual artifice remains hard to appreciate with the emotionally belabored narrative (the film’s tagline, “Love will bring you home” certainly doesn’t help the hackneyed sense of sincerity). Surprisingly, the disc does contain an extra featuring on the making of the film.

The Sea of Trees – A Story of Beauty and Tragedy:
This eight minute feature includes behind-the-scenes snippets, plus cast and crew statements concerning their views on the film.

Final Thoughts:

The critical derision actually makes The Sea of Trees worthier of distinction than it should. Had this premiered on any other platform in any other festival, it would have been less rudely dismissed and, perhaps, eventually forgotten.

Film Review: ★/☆☆☆☆☆
Disc Review: ★★★/☆☆☆☆☆

Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

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