Tag: Katie Aselton
2022 Sundance Film Festival Predictions: Katie Aselton’s Mack & Rita
After directing her first two features (both Sundance entires) in The Freebie (2010) and Black Rock (2012), Katie Aselton would move more into her...
Synchronic [Video Review]
E.M.Time Machine: Benson & Moorhead Do the Time Warp Again
Designer drugs prove to be a mystical gateway to the past in Synchronic, the fourth...
She Dies Tomorrow | Review
Bet Your Bottom Dollar: Seimetz Circles Existential Dread in Lowkey Genre
“Your deepest fear is spreading,” reads the tagline for Amy Seimetz’s sophomore directorial effort,...
2017 Sundance Film Festival Predictions: Alethea Jones’ Fun Mom Dinner
Sundance programmers looking to add some funny bone component to the line-up might be looking towards Aussie, L.A. based filmmaker Alethea Jones' female-centric comedy....
The Sea of Trees | Blu-ray Review
Nearly every edition of the Cannes Film Festival seems to yield a significant misstep for at least one auteur premiering in competition. Less common...
The Sea of Trees | Review
The Forest for the Trees: Van Sant’s Melodramatic Misfire
Gus Van Sant’s name seems to conjure wildly different reactions depending on how accustomed one is...
The Gift | Blu-ray Review
One of the best surprises of 2015 thus far has been Joel Edgerton’s directorial debut, The Gift. The increasingly prolific actor somehow managed to...
The Gift | Review
Keep on Giving: Edgerton’s Debut a Surprisingly Adept Thriller
Actor Joel Edgerton makes his feature directorial debut with The Gift, an intelligent, enjoyably entertaining thriller...
2015 Cannes Critics’ Panel Day 4: Sea of Trees “Gerry”manders Critics
A film that explores the suicide theme might have become the first Croisette casualty, hara-kiri style. He has had a lengthy, healthy career moving...
Black Rock | Review
No Picnic At This Rock
For a long time now there’s been a problem with the output of horror films made in America. Let’s face...
