2015 Cannes Critics’ Panel Day 4: Rousing, Tender, Homo…geneous Response to Haynes’ “Carol”

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Long tipped for a Main Comp berth, the Croisette’s Todd Haynes drought appears to be over with a dam busting gush of a love from critics. Making the Lido the launchpad lieu for Far from Heaven, I’m Not There. and his mini-series Mildred Pierce, it’s been almost a two decade absence from this filmmaker. Safe (1995) is one of the best films to have played in the Directors’ Fortnight, and 1998’s Velvet Goldmine, an In Comp selection, won a special prize for artistic contribution. Carol, being called a 50’s Brokeback Mountain, will not walk away emptied handed, and if we don’t hear the names of Blanchett or Mara mentioned for Best Actress, then this adaptation of Patricia Highsmith’s The Price of Salt has Palme d’Or potential according to our critics: we have 3 perfect scores so far and several four outta fives.

Check back with us twice daily for the latest grades and make sure to click on the grid below for a larger version.

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Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). In 2022, he was a New Flesh Juror for Best First Feature at the Fantasia International Film Festival. His top films for 2023 include The Zone of Interest (Glazer), Inside the Yellow Cocoon Shell (Pham Thien An), Totem (Lila Avilés), La Chimera (Alice Rohrwacher), All Dirt Roads Taste of Salt (Raven Jackson). He is a Golden Globes Voter.

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