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2015 Cannes Critics’ Panel Day 4: Rousing, Tender, Homo…geneous Response to Haynes’ “Carol”

Long tipped for a Main Comp berth, the Croisette’s Todd Haynes drought appears to be over with a dam busting gush of a love from critics. Making the Lido the launchpad lieu for Far from Heaven, I’m Not There. and his mini-series Mildred Pierce, it’s been almost a two decade absence from this filmmaker. Safe (1995) is one of the best films to have played in the Directors’ Fortnight, and 1998’s Velvet Goldmine, an In Comp selection, won a special prize for artistic contribution. Carol, being called a 50’s Brokeback Mountain, will not walk away emptied handed, and if we don’t hear the names of Blanchett or Mara mentioned for Best Actress, then this adaptation of Patricia Highsmith’s The Price of Salt has Palme d’Or potential according to our critics: we have 3 perfect scores so far and several four outta fives.

Check back with us twice daily for the latest grades and make sure to click on the grid below for a larger version.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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