Tag: Gaspar Noe
Lux Æterna | Review
Devil’s Familiars: Noé Stirs a Witches’ Brew in Latest Provocation
For those familiar with cult auteur Gaspar Noé, one either has a taste for his...
Vortex | Review
All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death
There’s no pleasure to be had, whatsoever, in the experiencing...
The Conversation: Top 10 of 2019 Thus Far …
Half-way through the last year of the decade, the same cinematic trends exist as far as theatrical releases in the US, those being the...
The Conversation: The Best of Cannes 2019
Zombies. The Undead. Reincarnation. These were some of the central themes and motifs displayed throughout an alarming amount of films in the 2019 official...
The Conversation: Nicholas Bell’s Top Ten Most Anticipated Titles of Cannes 2019
It’s that time of year again, and the 72nd edition of the Cannes Film Festival is about to begin. If last year’s main competition...
IONCINEPHILE of the Month: Sandi Tan’s Top Ten Films of All Time List
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? We look back at the incredible launch year...
Climax | Review
Don’t Stop Till You Get Enough: Noe Does Sensory Deception with Latest Dark Odyssey
Come again? Enfant terrible Gaspar Noe returns to cinema of...
Video: Gaspar Noé’s Climax | 2018 Cannes Film Festival
In terms of the narrative, it might be his most minimalist and arguably, this stands as Gaspar Noé's best film to date. In terms of...
2018 TIFF: Peter Strickland’s “In Fabric”Highlight of Midnight Madness Offerings
Two major studio films studio reboots in Shane Black’s The Predator and David Gordon Green’s Halloween, and three non world premieres (one Sundance and...
The Conversation: In the Cannes – 2018: Burning, Donbass & Climax Top the List
In a surprisingly unpredictable and overall enjoyable 71st edition of the Cannes Film Festival, the Cate Blanchett led jury awarded Hirokazu Kore-eda’s Shoplifters the...
The Conversation: Nicholas Bell’s Top 10 Most Anticipated 2018 Cannes Films
Time will surely tell if Cannes 2018 is as truly daring as it thinks its competition line-up is, sporting nine directors (nearly half of...
2018 Cannes: Ciro Guerra, Gaspar Noé, Romain Gavras, Jaime Rosales & Debra Granik Fill Directors’ Fortnight
Heavy on Spanish language films (including a Brazilian film not in its mother tongue) and the usual block of French film items, after seven years...
The Conversation – Cannes Predictions II: La France
Perhaps more contentious than any other competition titles are the French language items jockeying for coveted slots which are announced last. Both Claire Denis...
Love | Review
Scorpio Becomes Electra: Noé's Sex Scenes from a Marriage
The last time we were caught in provocateur Gaspar Noé’s crosshairs it was back in 2009...
2015 Cannes Critics’ Panel Day 8 & 9: Between a Rock & a Hard R Place for Noé’s “Love”
It's only his fourth feature film, but his eighth trip to Cannes, Gaspar Noé hasn't let go of the short or long format. He...
“Love” Spreads Her Arms…Gaspar Noe, Guillaume Nicloux, Michel Franco & Thai Joe Are Going to Cannes
Thierry Frémaux wasn't done adding to the official festival selections, and in the same token, wasn't done in shaking up a certain Main Comp...
Top 100 Most Anticipated Foreign Films of 2015: #8. Gaspar Noé’s Love
Love
Director: Gaspar Noé // Writer: Gaspar Noé
The most controversial director in our top ten list has to be Argentinean director Gaspar Noé, who has...
From Faith Akin to Craig Zobel: Our Top 100 Most Anticipated Films of 2014
Before we unleash the beast that is our annual Top 100 Most Anticipated Films List for 2013, we thought we'd give our readers an...
Interview: Gaspar Noe – Enter the Void
Noe’s subjective camera spends much of the first half in the hands of Oscar, while we watch the world through his eyes, and the second half of the film overhead, racing through hundreds of rooms with masked cuts. It lends an incomparable theatricality to the experience.
Interview: Paz de la Huerta and Nathaniel Brown – Enter the Void
Clearly good friends, their relationship in real life seems to reflect their relationship in the film. They are brother and sister, however, this is a Gaspar Noe film, so there’s always something a little off. Their very close relationship is mired by the tension of implied incestuous feelings throughout, even though those feelings are never consummated.
Popular