Oscilloscope Has Temper Tantrum for Carolina Cavalli’s “Amanda”

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A tonally quirky film with its defiant and eccentric like Max Fisher (from Rushmore) type character (a straight-faced Benedetta Porcaroli) at the film’s core, the Venice Film Festival Horizons Extra section and Toronto’s Contemporary World Cinema selected Amanda is Carolina Cavalli‘s feature debut and it just found a home. Screen Daily reports that Oscilloscope Laboratories have grabbed the North American rights to the pic with plans to launch it next year.

As far as the twenty-four-year-old Amanda can remember, she has never had friends. It’s the thing she desires most. When she finds out that as infants she and Rebecca had spent a lot of time together, Amanda settles on her new mission: convincing her that they are still best friends.

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). In 2022, he was a New Flesh Juror for Best First Feature at the Fantasia International Film Festival. His top films for 2023 include The Zone of Interest (Glazer), Inside the Yellow Cocoon Shell (Pham Thien An), Totem (Lila Avilés), La Chimera (Alice Rohrwacher), All Dirt Roads Taste of Salt (Raven Jackson). He is a Golden Globes Voter.

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