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Reviews
I Feel Pretty | Review
More Than a Feeling: Kohn & Silverstein Compose Meaningful, Imprecise Satire on Body Shaming Screenwriters Abby...
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Zama | Review
Mortal Transfer: Martel Returns with Lush, Dark Comedy on Colonial Maneuvering Unfairly disposed to doomed distribution...
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Jeannette: The Childhood of Joan of Arc | Review
The Passion of the Joan: Dumont Approaches Ecclesiastical Fervor in Musical Comedy If cinema could approach...
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Come Sunday | Review
Preaching to the Choir: Marston Tackles Modern Heresy in Orthodox Glance at Evangelical Hypocrisy There are...
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Marrowbone | Review
Love & Marrow: Sanchez Rattles Familiar Skeletons in Vintage Themed Debut Spanish screenwriter Sergio F. Sanchez...
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Wildling | Review
By Matthew RoeThe Kids Are Not Alright: Böhm Bares His Fangs In Tepid Feral Frightfest Children are scary...
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Beirut | Review
Going Hamm in Beirut: Sharply Written, Compelling, Old school Hostage Drama Set in guess-where, Beirut is a snappy...
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Distant Constellation | Review
By Matthew RoeTime Is Not On Our Side: Mizrahi Mesmerizes And Bemuses With Meditative Doc The nature of...
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Reviews
Dark Money | 2018 Sundance Film Festival Review
By Matthew RoeFollow The Money: Reed’s Financial Exposé Is Highly Significant Yet Somewhat Clumsy The rise of unregulated...
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Reviews
The Endless | Review
Circles in the Sand: Benson & Moorhead Latest Low-Fi Genre Hybrid another Mixed Bag For a...