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Top 200 Most Anticipated Foreign Films of 2023: #35. Hirokazu Kore-eda’s Kaibutsu

Kaibutsu Broker filmmaker Hirokazu Kore-eda has been in creative overdrive working on both a series (Makanai: Cooking for the Maiko House) and what was an...

Interview: Emre Kayiş – Anatolian Leopard

The old adage (and threat) of out with the old and in with the new is especially true in Emre Kayiş' directorial debut. It's...

Continental Drift (South) | 2022 Cannes Film Festival Review

Conventional Liaisons: Baier Leans into the Comedy of Crisis Through Familial Rift Swiss director Lionel Baier completes the third section of an intended four part...

Hatching | Review

The Egg & I: Bergholm Births Straightforward Tween Body Horror Finland’s Hanna Bergholm makes a splash with her interesting, if ultimately one-note debut, Hatching,...

The Salt of Tears | Review

Love Means Never Having to Say: Garrel Continues Exploration of Love and Lust “Love ain’t nothin’ but sex misspelled,” Harlon Ellison astutely wrote, for too...

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Ghost Trail | Review

The Executioner's Song: Millet’s Stabbing Debut Looks at How...

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