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Snatched | Review

Those Who Love Me Can Take the Trainwreck: Levine Streamlines the Diffident Return of Hawn into So-So Mother-Daughter Comedy More often than note, notable actresses...

House – Two Stories | Blu-ray

Following the success of 1980’s Friday the 13th, director Sean S. Cunningham inadvertently birthed another, less likely franchise in the mid-1980s, producing horror comedy...

Top 25 Most Anticipated Studio Films of 2017: Picks #25 to #6

For our annual lineup of most anticipated studio films, our goal is to highlight auteurs (and other notable cinematic technicians) who have projects brewing...

Rules Don’t Apply | Review

The Showgirl and the Driver: Beatty’s Romantic Reconstruction of Eccentric Entrepreneur’s Latter Days Considering his iconic contributions and sterling reputation in cinema, breaking out over...

Arrival | Review

Future Perfect: Villeneuve Crafts a Poetic Close Encounter Using language and communication as a fertile metaphor, Denis Villeneuve situates complex ideas into streamlined composition with...

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Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...

2025 André Bazin Prize: Louise Hémon’s ‘The Girl in the Snow’ (L’Engloutie) Wins

Selected for this year's Directors' Fortnight, Louise Hémon's The...

Interview: Morad Mostafa – Aisha Can’t Fly Away

Part of a new wave of Egyptian filmmakers testing...

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