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Louder Than Bombs | Review

Another Time, Another Place: Trier’s Graceful, Quiet English Language Debut Norwegian director Joachim Trier reteams with his regular scribe Eskil Vogt for Louder Than Bombs,...

Haynes, HHH, George Miller, Sean Baker & Bruno Dumont Lead the 2016 ICS Award Noms

The more "international" body of tastemaker critics have anointed Todd Haynes' Carol, Hou Hsaio-Hsien’s The Assassin, George Miller's Mad Max, Sean Baker's Tangerine and...

Sundance ’16: Antonio Campos, So Yong Kim, Elizabeth Wood & The Daniels Among U.S. Dramatic Competition

In last year's selection of sixteen U.S. Dramatic Competition offerings, it was Alfonso Gomez-Rejon's Me & Earl & the Dying Girl that landed both...

2016 Sundance Film Festival Predictions: Madeleine Olnek’s Emily Dickinson Project

What the trades tell us and what is fact are not mutually exclusive. 11th hour film submissions at the Sundance Film Festival do occur --- the...

Pretty Baby | DVD Review

At the time of its production, Louis Malle’s 1978 title Pretty Baby (the title derived from the Tony Jackson song) was quite the scandal,...

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2026 Cannes Critics’ Panel: Day 9 – Lukas Dhont’s ‘Coward’

From Belgium, Lukas Dhont makes his third trip to...

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

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