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It’s Only the End of the World | 2016 Cannes Film Festival Review

Don’t They Know?: Dolan Delivers a Dud with Familial Drama Though no stranger to working with French stars, Quebecois filmmaker Xavier Dolan makes his first...

Who Is Harry Kellerman and Why Is He Saying All These Terrible Things About Me? | Blu-ray Review

Though he’s still best known for his considerable resume as a director of the stage, Ulu Grosbard formulated a sporadic yet significant filmography in...

Boychoir | Review

The Angels' Share: Girard’s Musical Drama a Conventional Return Quebecois filmmaker Francois Girard returns from a near decade long hiatus with Boychoir, his first cinematic...

The Cobbler | Review

Shoe Be Doo: McCarthy’s Magical Realism Has No Sole Actor Thomas McCarthy has developed a solid reputation as an indie film director thanks to his...

Chef | Review

Mostly Favreau: Actor/Director’s Return to Indie Scene a Pleasant Surprise A thinly veiled allegory for Jon Favreau’s own career, whether he consciously means it to...

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Magazine | 2026 Toronto Intl. Film Festival Review

Not Worth The Subscription: Pechman’s Debut Flips Through The...

Your Mother Your Mother Your Mother | Review

Holy War: Mahershala Ali Unleashes Fatherly Vengeance Your Mother Your...

The Debut | 2026 Toronto Intl. Film Festival Review

A Star Is Reborn: Julianne Moore Powers Jesse Eisenberg’s...

Children of the Monkey (I figli della scimmia) | 2026 Venice Film Festival Review

The Favorited Son: Landucci Looks at How Love Can...

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