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It’s Only the End of the World | 2016 Cannes Film Festival Review

Don’t They Know?: Dolan Delivers a Dud with Familial Drama Though no stranger to working with French stars, Quebecois filmmaker Xavier Dolan makes his first...

Who Is Harry Kellerman and Why Is He Saying All These Terrible Things About Me? | Blu-ray Review

Though he’s still best known for his considerable resume as a director of the stage, Ulu Grosbard formulated a sporadic yet significant filmography in...

Boychoir | Review

The Angels' Share: Girard’s Musical Drama a Conventional Return Quebecois filmmaker Francois Girard returns from a near decade long hiatus with Boychoir, his first cinematic...

The Cobbler | Review

Shoe Be Doo: McCarthy’s Magical Realism Has No Sole Actor Thomas McCarthy has developed a solid reputation as an indie film director thanks to his...

Chef | Review

Mostly Favreau: Actor/Director’s Return to Indie Scene a Pleasant Surprise A thinly veiled allegory for Jon Favreau’s own career, whether he consciously means it to...

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YES | Review

Break My Soul: Lapid Explores Compromised Artistry During Wartime Essentially,...

Kontinental ’25 | Review

Can You Ever Forgive Me?: Jude Skewers the Status...

Alpha | Review

Turn to Stone: Ducournau Hits a Wall with Disease...

2026 Cannes Film Festival Predictions: Midnight, Cannes Premiere, Special Screenings, Out of Comp

Before we dive headfirst into full-on Palme d’Or predictions...

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