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Dark Touch | Review

If Only They Knew She Had the Power: De Van’s Somber Telekinetic Exercise Lacks Verve Previously a scribe and actress for Francois Ozon in some...

Strand Take “Refuge” in Jessica Goldberg’s Play to Film Debut

Someone at Strand Releasing's home vid dept will have a minor "pickle" of a situation when it comes to indexing their library, as the...

TIFF’s Phat 2013 Line-up Includes Latest From: Chomet, Egoyan, Holofcener, Glazer, Gordon Green & Reichardt

With dramatic fare such as August: Osage County, Mandela: Long Walk to Freedom and Dallas Buyers Club, 2013's Toronto Int. Film Festival once again...

Recap: Our Cannes Critics’ Panel think Latest Kechiche, Coens and Farhadi Were a Cut Above

Around the midway point of the fest, all indications told us that Asghar Farhadi's The Past and the Coen bros. Inside Llewyn Davis would...

Cannes 2013 Derby: Paolo Sorrentino’s La Grande Bellezza Tops Eric’s Palme d’Or Predictions

Before I even begin considering the offerings in the field of eighteen Main Competition items, it's the composition of the jury members (team of...

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La grazia | Review

Interview: Arab Nassar – Once Upon a Time in Gaza

Over the course of their three feature films, Gaza-born...

Interview: Tawfeek Barhom – I’m Glad You’re Dead Now (Short)

From Tarik Selah's Boy from Heaven (2022) to the...

Interview: Ali Asgari – Divine Comedy

Sometimes, in a landscape where censorship and endless approvals...

Interview: Hasan Hidi – The President’s Cake

Earlier this year, first-time filmmaker Hasan Hadi arrived in...

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