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Only the Animals | Review

Catfish People: Moll Returns to the Ripple Effects of Identity Issues In the early 2000s, German born Dominik Moll was a fast-rising director of contemporary...

2021 Venice Film Festival: Blonde is MIA, Franco’s Sundown, Vasyanovych’s Reflection, Frammartino’s The Hole, Larrain’s Spencer in COMP

While Netflix is present Andrew Dominik's Blonde and Claire Denis' Fire is nowhere to be found, the official selection for the 2021 edition of...

Ma Rainey’s Black Bottom [Video Review]

It’s Rainey’s Men: Wolfe Wows with Ardent Adaptation of Eloquent Wilson Play August Wilson, arguably the most notable and influential Black playwright lionized for his...

Introducing Our Top 150 Most Anticipated Foreign Films of 2020: A Precursor (Picks 300 to 151)

As we wave au revoir to a year in cinema that gave us the Berlinale Golden Bear winner Synonyms, the Cannes Palme d'Or winner...

Lizzie | Review

Walk Away Genet: Macneill Revisits the Lurid Case of Lizzie Borden in Fascinating, Empowering Psychological Portrait For true crime aficionados, there is perhaps no figure...

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2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

The Most Precious Of Cargoes | Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in...

Romería | Review

Blood Relatives: Simon Treads Familiar Water with Continued Autofiction After...

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