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Inexorable | 2021 Toronto Intl. Film Festival Review

The Hand that Mocks the Cradle: Du Welz Finds an Interloper in Vintage Throwback Long before a lithesome ingenue shows up to ruin a wealthy...

Through the Looking Glass: The Top 100 Most Anticipated Foreign Films of 2020 – Picks #100 to #11

While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...

Let the Corpses Tan! | Review

All that Glitters: Cattet & Forzani Cut Stylish Swath Through Arid Neo-Western For their third film, Let the Corpses Tan!, another heavily styled recalibration of...

Through the Looking Glass – The Top 50 Foreign Films of 2019: Picks #50 to #11

As we look forward to a plentiful year of new cinematic offerings in 2018, it’s also time to look even further into the horizon...

Best of 2017: Nicholas Bell’s Top 20 Undistributed but not…Unloved

Prior to unveiling the top theatrical releases of 2017, here's a little love for some festival circuit being held for theatrical release next year...

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Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

The Most Precious Of Cargoes | Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in...

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