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2018 Cannes Critics’ Panel: Day 7 – Ryūsuke Hamaguchi’s Asako I & II

With his fifth feature in 2015's Happy Hours making a notable presence at and winning Locarno, Ryūsuke Hamaguchi's Cannes debut in Asako I &...

The Conversation: Tipping into TIFF (Top 5 Most Anticipated Films)

As we head into the 42nd edition of the Toronto International Film Festival, change is afoot. Earlier this year, it was confirmed the festival...

After the Storm | Blu-ray Review

One of this year’s overlooked gems, Japanese master Hirokazu Kore-eda’s After the Storm received a solemn theatrical release in March of 2017 courtesy of...

The Conversation: The 2017 Venice & TIFF Vortex

As the fall festival circuit looms, anticipation is high for a number of items expected to premiere in the fourth quarter. Following a glut...

Our Little Sister | Review

Sisters Doing It For Themselves: Kore-eda’s Continued Examination of Polite Familial Discord Japanese auteur Hirokazu Kore-eda returns with Our Little Sister (aka Umimachi Diary), another...

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Interview: Albert Birney – Obex (Work in Progress)

After popular (co-signed with Kentucker Audley) feature film projects...

Young Mothers (Jeunes mères) | Review

Bonjour Tristesse: The Dardenne Bros. Explore Teenage Pregnancy In their...

Homegrown | Review

Been Caught Stealing: Premo Watches the Pendulum Swing Right Utilizing...

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