Film vs. digital doc obscures message with overt Hollywood deference
From the opening Oscar broadcast-style montage of iconic movie clips (apparently it is only Hollywood,...
Feminists everywhere can rejoice that Hanna's Saoirse Ronan proves that girl power is more about kicking ass than shaking it (hear that Zak). Fernando Santos gives Tootsie a run for her/his money in To Die Like a Man. Venice/TIFF/NYFF Meek's Cutoff turns Manifest Destiny on its collective head in Kelly Reichardt's third film starring Michelle Williams.
Next week is when hopeful screenwriters who've had one of their scripts circulate the respective production houses are hoping that their screenplay gets a couple of extra bites. Now in it's sixth year, it'll also be a time when curious onlookers such as film executives, development people, agents and hardcore cinephiles take a gather at a list that emphasizes quality and original writing. blcklst.com has been all spruced up for the occasion --- so you should definitely check back there to see what 2010 will reveal -- and if you're like us and like to revisit Best of Lists of the previous years. Last year over 300 executives contributed their opinion to make up a Black List that had a Muppet Movie (not the Jason Segel project) in the number one spot and The Social Network at number 2.
As a result of a bizarre 2009 production year, TIFF is the happy recipient of some premium titles which include the world premieres to some of my most anticipated films this year in: Mike Mill's Beginners, John Cameron Mitchell's Rabbit Hole, Mark Romanek's Never Let Me Go, Andrucha Waddington's Lope and Rowan Joffe's Brighton Rock. Then we have titles that are coming from this year's Sundance, Cannes or both (Blue Valentine picks up the trifecta honor) and then we have titles that come to us from out of nowhere with Michael Winterbottom's The Trip and Richard Ayoade's debut film, Submarine.
According to the folks at ThePlayList and ScriptShadow, Source Code (a top fifteen script on the 2007 list, which I figure I should get my hands on) is a time-traveling film that doesn't suck. I guess we can start hyping Duncan Jones' follow up to his much appreciated debut film Moon, as a top tier, anticipated project to look out for in Summit Entertainment's 2011 campaign. With Jake Gyllenhaal already on board, THR reports that Vera Farmiga is in negotiations and Michelle Monaghan is set star in the pic which begins filming this March, in Montreal.