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One Floor Below | 2015 Cannes Film Festival Review
Radu Muntean Updates Rear Window to the Modern Age
Radu Muntean's One Floor Below, the latest entry in the Romanian New Wave, has a bone...
2015 Cannes Film Fest: Main Comp 1st Timers Include Kurzel, Lanthimos, Donzelli, Villeneuve, Brize, Joachim Trier & Laszlo Nemes
Returnee former Palme d'Or winners and their latest in Nanni Moretti (Mia Madre), Gus Van Sant (Sea Of Trees) are joined by several Main Comp...
Top 100 Most Anticipated Foreign Films of 2015: An Introduction
In an effort to explain the criteria used to create our list of Top 100 Most Anticipated Foreign Films of 2015, we must first...
Cristian Mungiu’s Beyond the Hills Leads Romanian Presence at the 2012 Cannes Film Fest
Ever since Cristi Puiu's The Death of Mr. Lazarescu (2005) landed in the Un Certain Regard section of the Cannes Film Festival, the tricolour...
Blake’s Top 20 of 2011: Picks 10-1
Not only does the photography benefit from the color depth and added resolution from celluloid, but the 35mm format is but another of the film's sly anachronisms. The film posits that things change slowly, but - watching this on the last day of this year's digital-heavy Cannes festival - nothing has felt more rushed than the disappearance of film prints in our theatres.
