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A Pigeon Sat on a Branch Reflecting on Existence | Review

Familiar Tune: Andersson Completes Trilogy With Enjoyable, Familiar Chapter Prolific Swedish filmmaker Roy Andersson tends to work infrequently, taking years, if not decades, between film...

Involuntary | Review

Cold Cuts: Östlund Examines Behavior Unawares in Astute Sophomore Feature While Ruben Östlund’s 2004 feature debut The Guitar Mongoloid first played with examinations of human...

The Guitar Mongoloid | Review

People Are Strange: Östlund’s Debut a Curio Set of Characters Premiering domestically in late 2004 before snagging festival play at a handful of festivals, including...

2015 Sundance Film Festival Predictions: Rick Alverson’s Entertainment

It may be too early to call him an American cousin akin to the quasi-dark humor of Roy Andersson and Aki Kaurismäki, but is third...

Criterion Collection: The Complete Jacques Tati | Blu-ray Review

With only six feature films to his name, four of which featured his iconic onscreen alter ego, the cinema of Jacques Tati remains an...

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