Familiar Tune: Andersson Completes Trilogy With Enjoyable, Familiar Chapter
Prolific Swedish filmmaker Roy Andersson tends to work infrequently, taking years, if not decades, between film...
Cold Cuts: Östlund Examines Behavior Unawares in Astute Sophomore Feature
While Ruben Östlund’s 2004 feature debut The Guitar Mongoloid first played with examinations of human...
People Are Strange: Östlund’s Debut a Curio Set of Characters
Premiering domestically in late 2004 before snagging festival play at a handful of festivals, including...