While you'd be wise to stay home and do some spring cleaning, if you do venture out, I suggest sticking to your local art house where you'll find some meatier and darker subject matters like in Foreign Oscar winner In a Better World or David Schwimmer's Trust and you can also have your own little Best of the Director's Fortnight section from last year's Cannes with the Film Forum commencing it's run on the brilliant The Four Times and if you're in Brooklyn --- head over to the ReRun Theater for Two Gates of Sleep as it receives only a one week run.
What starts out as a promisingly violent and giddily gory historical epic quickly devolves into scene after scene of navel-gazing philosophical ruminations that are more akin to the most confusing episodes of Lost than they are to the Scandinavian battle scenes of films like Robert Zemeckis' Beowulf and John McTiernan's The 13th Warrior.
What's cool about Pitchfork's best 50 videos countdown from the 90's are seeing how some of the least obvious names cut their teeth on music videos -- some became full fledged members of the filmmaking community, while some are still in the cross over stages.
I pulled Hiro, our DP, aside and suggested we go into commando mode and steal everything -- shoot it without people knowing. I gave general direction to the actors, then watched as the “party scene” turned into a real party. It felt like we were making a documentary, grabbing shots as they unfolded naturally.
Tomorrow I'll wake up early for Shorts Program II with a pair of films that have caught my interest in 2nd place Cannes Best short in Mark Albiston & Louis Sutherland's The Six Dollar Fifty Man and Sean Durkin's Mary Last Seen - which comes from the same team that gave us Afterschool and which will give us Two Gates of Sleep (featured in my top 100 most anticipated films for 2010 list).