Search results for: Ulrich Seidl

Because I Could Not Stop For Death…

Running between August 31st and September 10th, the 68th edition of the Venice Film Festival would be a dandy last edition for festival impresario Marco Muller even if he doesn't nab the likes of Wong Kar-wai's The Grandmaster, Walter Salles' On the Road, Fernando Meirelles' 360 and/or Zhang Yimou's Heroes of Naking. In his final year of contract, with approximately twenty-two competition slots (minus the already confirmed opening film from Italian res George Clooney and his TIFF-bound The Ides of March), this thursday's announcement should be heavy on items from the the U.K along with a robust presence from European filmmakers headed by Roman Polanski's Carnage.

The sales agent and production company had one heck of a year in 2010 with Le Quattro Volte and Aurora, this year they got two features (Blue Bird and Play) and a Boro in the Box (40-minute film) all playing in the Directors' Fortnight. Of interest we have Ilya Khrzhanovsky still working on Dau (see pic above) --- a Cannes 2012 selection folks?

We're about 36 hours away from Cannes Film Festival's big unveiling of the 2011 line-up and while the Main Comp should bare very little surprises (see the math below), the one title whose status is still a mystery and could break into the 20 or so titles is Carlos Reygadas' Post Tenebras Lux.

The Berlin Film Festival begins today and in typical IONCINEMA.com fashion, I've decided to unveil my predictions for the 2011 edition of the Cannes Film Festival. I've taken the liberty at breaking down the predictions by what should logically fit into what sections: Main Comp, UCR and the Director's Fortnight sidebar.