Tag: 2024 Locarno International Film Festival

By the Stream | Review

Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...

The Sparrow in the Chimney | Review

There’s a Ghost in Me: Zurcher Explores the Necessity of Destruction Amidst all the existential dread in Franz Kafka’s body of work, silver linings abound,...

Drowning Dry | Review

Dry Spell: Bareiša Explores Trauma in the Abstract Repetitive patterns once again provide the narrative parameters reinforcing oblique happenings for Lithuanian director Laurynas Bareiša in...

Youth (Hard Times) | Review

Make the Best of Us: Bing’s ‘Youth’ Cycle Expands Into the Gloom The middle part of Wang Bing’s Youth trilogy, Youth (Hard Times) perhaps more...

2024 Locarno Film Festival: Saulė Bliuvaitė Wins Pardo d’Oro for Toxic (Akiplėša)

The 2024 film festival summer closed out with the prizing at the Locarno Film Festival and it's the debut feature of a Lithuanian filmmaker...

The Life Apart | 2024 Locarno Film Festival Review

Imitation of Life: Giordana Composes an Old-Fashioned Miracle Music seems to be the language of the heart in The Life Apart (La vita accanto), a bizarre...

New Dawn Fades | 2024 Locarno Film Festival Review

Through a Glass Darkly: Keltek Finds Divinity Through Insanity Sanism might be the term best used to define the trials and travails faced by the...

Toxic (Akiplėša) | 2024 Locarno Film Festival Review

The Taste of a Poison Paradise: Bliuvaite Explores the Commodification of Women’s Bodies Lithuanian filmmaker Saulė Bliuvaitė perhaps could not have contrived a more succinct...

Cent mille milliards | 2024 Locarno Film Festival Review

The Unhappy Hooker: Vernier Explores Ennui in Monaco Interconnected drifters aligned with sex work once again provide the backbone for Virgil Vernier’s third feature 100,000,000,000,000...

Agora | 2024 Locarno Film Festival Review

The Dead Don’t Die: Slim Sets Adrift in Tedious Metaphors For his third feature film, Agora, Tunisian director Ala Eddine Slim continues in the realm...

Moon | 2024 Locarno Film Festival Review

Bitter Moon: Ayub Concocts a Taut Domestic Thriller “It takes time for a bird to escape, even after someone has opened the doors to its...

Fogo do Vento (Fire of Wind) | 2024 Locarno Film Festival Review

The Wind Carries On: Mateus Crafts Political Fable Fusing Past & Present In her debut film, Fogo do Vento (Fire of Wind), which finds a...

Transamazonia | 2024 Locarno Film Festival Review

Smite Material: Marais Unearths Jungle Cliches It’s been over a decade since South African director Pia Marais’ last feature, and she’s spent six years working...

Mexico 86 | 2024 Locarno Film Festival Review

Coup de Madre: Díaz Revisits Violent Turmoils with Intimate Familial Drama Director César Díaz continues his cinematic exploration of Guatemala’s brutal civil war, considered the...

Death Will Come (La Mort viendra) | 2024 Locarno Film Festival Review

And Bear Your Eyes: Hochhäusler’s Grim Sketch of a Tangled Underworld Death, it seems, does not quite become Christoph Hochhäusler, the Berlin School alum making...

2024 Locarno Film Festival: César Díaz, Simon Jaquemet & Tarsem Singh in Piazza Grande

It has to be among the best open-air public spaces at any festival to premiere a film and it also counts as a safe...

2024 Locarno Film Festival: Ramon Zürcher, Kurdwin Ayub, Hong Sangsoo & Pia Marais in Pardo d’Oro Comp

Former Pardo d’Oro champs Hong Sangsoo (Right Now, Wrong Then - 2015) and Wang Bing (Mrs. Fang - 2017) will be measuring up against...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...