Tag: Raffey Cassidy

All That Glitter: Raffey Cassidy, Eva Green, Ben Whishaw & Alessandro Nivola Set for Antonia Campbell-Hughes’ “Diamond Shitter”

Antonia Campbell-Hughes made the jump ionto feature filmmaking with 2022's It Is In Us All and she is now laying the groundwork for her...

The Brutalist | Review

The Safety of Objectivism: Corbet Unleashes the Survival Instinct of Rational Egoism “The hardest thing to explain is the glaringly evident which everybody has decided...

Toth 2.0: Adrien Brody, Guy Pearce, Felicity Jones & Joe Alwyn Confirmed for Corbet’s “The Brutalist”

We knew there was a cosmetic change in terms of who might be part of the ensemble, but who and how the new lego...

White Noise | Review

Death Wishes: Baumbach Dons DeLillo’s Satirical Death March The characters anchoring the existential narrative of White Noise have kindly stopped for death, so consumed with...

The Other Lamb | Review

Lamb Tied to (Mis)Take: Szumowska Gets Culty with English Language Debut Cults seem to be making something of a comeback in popular film culture, which...

Vox Lux | Review

A Star is Worn: Corbet Confirms his Talent with Daring Sophomore Effort 2015’s The Childhood of a Leader (review) was a surprising debut in many ways,...

Video: Yorgos Lanthimos’ The Killing of a Sacred Deer | 2017 Cannes Film Festival – Best Screenplay

A film that was highly anticipated and did not go unnoticed, shared with Lynne Ramsay's You Were Never Really Here, this was the press...

The Killing of a Sacred Deer | 2017 Cannes Film Festival Review

The Dear Hunter: Lanthimos Flatlines with Terse Revenge Fantasy There’s no arguing the unique capabilities of Greek Weird Wave alum Yorgos Lanthimos, who broke out...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...