Tag: Anne Émond

2025 Directors’ Fortnight: 57th Edition is Book-ended by Campillo’s ‘Enzo’ & Eva Victor’s Sundance Hit ‘Sorry, Baby’

German filmmaker Christian Petzold has finally been invited to Cannes - it took the Directors' Fortnight programmers to roll out their red carpet. Starring...

Down in the Dumps: Anne Émond Throws Patrick Hivon & Piper Perabo Together in ‘Adam’

French-Canadian filmmaker Anne Émond has begun production into her first foray into English-language cinema (we imagine that this will be a bilingual film) with...

2023 Toronto Intl. Film Festival: 74 (Strictly) World Premiere Predictions!

It's not the opener. It's not the closer. But today the Toronto International Film Festival announced that Taika Waititi's long-gestating Next Goal Wins ...

Top 200 Most Anticipated Foreign Films of 2023: #165. Anne Émond’s La meute

La meute After exploring body issues in the teenage years with 2019's Jeune Juliette, Anne Émond's once again moves towards an entire new genre with...

The Conversation: Leaping to Locarno’s Leopard

Arriving August 7th and extending through August 17th, the Locarno Film Festival and its leaping Leopard is the final stepping stone before the grand...

TIFF 2017: Len Blum Resident Anne Émond Penning “Jeune Juliette” & “Monde Neuf”

Not unlike the San Francisco Film Society mandate or what the NYFF folks do with their Filmmaker in Residence program, the TIFF people have got...

The Conversation: One Never Cannes Tell – The 2016 Edition

Tis the season for fevered wish lists and constantly fluctuating prognostications concerning the soon to be revealed 2016 program at the Cannes Film Festival....

Top 100 Most Anticipated Foreign Films of 2016: #64. Anne Emond’s Nelly

Nelly Director: Anne Emond Writer: Anne Emond Quebecois director Anne Emond, whose impressive debut was 2011's was Nuit #1, just unveiled her sophomore effort Our Loved Ones...

Les êtres chers | 2015 TIFF Review

Sowing the Seed of Love: Émond Prescribes Depression Medicine for Two In Zizekian logic, there are the unknown knowns, that is to say, there are...

Nuit #1 | Review

Fear and Loathing: Emotional Entitlement Reigns in Emond's debut In this day and age, it's debatable whether the human species are better off as solitary...

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The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...