Tag: Ardavan Safaee

The Unknown (L’Inconnue) | 2026 Cannes Film Festival Review

She Who Is Not: Harari Explores Existential Identity Issues in the Body Swap “A woman, for me, must remain a woman,” stated Andrey Tarkovsky when...

Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...

Limonov: The Ballad | 2024 Cannes Film Festival Review

Wild at Heart: Serebrennikov Oversimplifies Odyssey of Soviet Dissident If one were to dilute a Molotov cocktail enough to make its destructive capabilities null and...

Top 200 Most Anticipated Foreign Films of 2023: #50. Just Philippot’s Eau-forte

Eau-forte Breaking onto the scene in the thick of the pandemic with 2020's The Swarm (Critics' Week selection), Just Philippot continues to find inspiration in...

L’immensità | 2022 Venice Film Festival Review

This Boy’s Life: Crialese Cuts Corners in Well-Meant Trans Coming-of-Age Drama Director Emanuele Crialese explores the slow disintegration of a dysfunctional family in 1970s Rome...

Albatros (Drift Away) | 2021 Berlin International Film Festival Review

Bye Bye Birdie: Beauvois Bears Burdens in Old-Fashioned Melodrama The albatross, a large white seabird with a significant wingspan, has been a symbol of a...

The Golden Glove | Review

No Glove No Love: Akin Revels in Garish Grotesqueries with Squalid Period Piece Turkish-German director Fatih Akin resurrects the obscure German serial killer Fritz Honka...

Mektoub, My Love: Intermezzo | 2019 Cannes Film Festival Review

Dancing…Yeah: Kechiche Spins Like a Record Round in Vacuous Sequel The French-Tunisian director who won the 2013 Palme d’Or for Blue is the Warmest Color...

Video: Diane Kruger for In the Fade | 2017 Cannes Film Festival – Best Actress

The consensus thinking was a great performance in a mediocre Fatih Akin film, Diane Kruger's first role in her native German language in In...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...