Tag: Ben Rosenfield

2021 Sundance Film Festival Predictions: Bryan Wizemann’s You Mean Everything to Me

Persistence pays off. Bryan Wizemann has been painstakingly hacking away at indie film since 1998's Sense following that with 2005's Losing Ground, 2011's About...

Mickey and the Bear | Review

A Bear to Care: Attanasio Scores Modest, Sincere Debut Although lacking in originality and narrative energy, director Annabelle Attanasio more often than not makes up...

Interview: Annabelle Attanasio – Mickey and the Bear

How does free will exist when moral responsibility, opportunity and happenstance constantly impede on an individual's further actions? Blending themes of attachment, addiction and...

2016 Sundance Film Festival Predictions: James Schamus’ Indignation

A veteran player on the independent film scene dating all the way back to Todd Haynes' 1991 release of the seminal queer film Poison,...

6 Years | VOD Review

There’s Always Tomorrow…Maybe: Fidell Explores the Familiar Predicaments of the LTR Director Hannah Fidell follows her 2013 debut A Teacher with concisely minded 6 Years,...

Song One | Review

Title Track: Barker-Froyland’s Cloying Debut Plays Familiar Tune “Sad song at night, hipster’s delight” should be the opening line in Kate Barker-Froyland’s mournful, musically inclined...

2015 Sundance Film Festival Predictions: Hannah Fidell’s 6 Years

Potentially filling Sundance's quota for difficult relationships, Hannah Fidell (profiled in our IONCINEPHILE series) will have moved from the heated, self-deprecating rapport between prof...

Taissa Farmiga & Ben Rosenfield Find Common Ground in Hannah Fidell’s Latest

Technically her sophomore point fifth of a feature (65-minuter We're Glad You're Here precedes A Teacher) which has amusingly gone by a vast array of titles...

Sundance 2014: Cutter Hodierne, Damien Chazelle, Kat Candler & Mona Fastvold Among Lucky 16 U.S. Dramatic Comp Selections

As I had predicted here, names such as Cutter Hodierne, Kat Candler, Maya Forbes, Mona Fastvold and Damien Chazelle would be among the invited...

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Interview: Philippe Lesage – Comme le feu (Who By Fire)

The adults in the room may be battling for...

Bertrand Mandico’s ‘Roma elastica’ & Lukas Dhont’s ‘Coward’ Moving Forward; Cannes 2026?

The cineuropa folks always publish the latest advance on...

Who by Fire (Comme le feu) | Review

Into the Woods: Lesage Explores Wounded Masculinities In Vincent Sherman’s...