Tag: Bettina Brokemper

All of a Sudden | 2026 Cannes Film Festival Review

Of Human Bondage: Hamaguchi Highlights Humanity in Quiet Drama In the midst of what ends up being a transformative month for the principal players in...

The Blood Countess | 2026 Berlin Intl. Film Festival Review

There Will (Not) Be Blood: Ottinger Returns with Anemic Vampire Comedy New German Wave legend Ulrike Ottinger returns with her long gestating project The Blood...

Philosopher’s Zone: Ryusuke Hamaguchi Has Virginie Efira & Tao Okamoto Exchange in ‘All of the Sudden’

Finally one Paris-based project might have leap-frogged another (Our Apprenticeship) as Variety reports that Ryusuke Hamaguchi will direct All of the Sudden - and...

The Devil’s Bath (Des Teufels Bad) | Review

Agnes of God: Franz & Fiala’s Bleak Portrait of Women & Madness “A Witch is born out of the true hungers of her time,” wrote...

Death Will Come (La Mort viendra) | 2024 Locarno Film Festival Review

And Bear Your Eyes: Hochhäusler’s Grim Sketch of a Tangled Underworld Death, it seems, does not quite become Christoph Hochhäusler, the Berlin School alum making...

Till the End of the Night | 2023 Berlin Film Festival Review

Night Boos: Hochhäusler Bungles Black Market Crime Thriller Blending fatal romanticism and B-movie genre tropes, it’s not difficult to see where a certain Fassbinder sensibility...

Ingeborg Bachmann – Journey into the Desert | 2023 Berlin Film Festival Review

Road to Nowhere: Von Trotta Presents the Basics on Bachmann Throughout her career, Margarethe Von Trotta, a key figure from the New German Wave of...

Top 150 Most Anticipated Foreign Films of 2020: #100. Daughter of Rage – Laura Baumeister

Daughter of Rage Nicaragua’s Laura Baumeister should have her highly anticipated feature debut Daughter of Rage ready for 2020. A co-production between Nicaragua-Netherlands-Mexico-Germany, Baumeister took...

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2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...