Tag: Carol Kane

2024 NYFCC: The Brutalist Nabs Best Picture & Best Actor, Marianne Jean-Baptiste Still in the Mix

The New York Film Critics Circle Awards gave Brady Corbet's Venice and Golden Globe winning The Brutalist the top honors in the Best Film...

2024 Sundance: Jesse Eisenberg, Sean Wang, Laura Chinn, India Donaldson & Zucheros in U.S. Dramatic Comp

The big surprise for the U.S. Dramatic Competition this year is they shaved off two titles making a dozen into a ten piece. We...

2024 Sundance Film Festival Predictions: Nathan Silver’s Between the Temples

With not one, but two feature films waiting in the gates for a 2024 launch, Nathan Silver has the co-directed Watch Me Drown and...

The Dead Don’t Die | Review

Fear the Mocking Dead: Jarmusch’s Zombie Sketch is DOA “The world is perfect. Appreciate the details,” says deliveryman RZA (in one of the film’s many...

2019 Cannes Critics’ Panel: Day 1 – Jim Jarmusch’s The Dead Don’t Die

A long and rich history with the festival since 1984's Stranger Than Paradise premiered on the Croisette and won the Caméra d'or 1984, Jim...

Top 100 Most Anticipated Foreign Films of 2018: #24. Jacques Audiard’s The Sisters Brothers

The Sisters Brothers One of 2018’s most highly anticipated items is Jacques Audiard’s English language debut The Sisters Brothers, his first project since winning the...

The Last Detail | Blu-ray Review

Hal Ashby remains one of the most curious auteurs to rise out of the prosperous 1970s American studio era, his titles maintaining an indelible...

Ava’s Possessions | 2015 SXSW Film Festival Review

Low Spirits: Galland’s Energetic Supernatural Comedy Doesn’t Retain Dominion The increasingly tenuous distinction between what constitutes either horror or comedy is further exemplified in Ava’s...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...