Tag: David Lynch
Lost Highway (1997) | Review
Fugue De Chao: Lynch Hits the Yellow Bricks in Masterful, Neglected Daymare
“I like to remember things my own way,” remarks the onerous protagonist of...
2022 Cannes Film Festival: Eight Possible 11th Hour Film Options
Critics' Week made their line-up public yesterday. Directors' Fortnight topper Paolo Moretti mentioned that there is one title from Asia that they are still...
IONCINEPHILE of the Month: Ognjen Glavonić’s Top Ten Films of All Time List
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...
IONCINEPHILE of the Month: Emma Forrest’s Top Ten Films of All Time List
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...
The Conversation: What Cannes Do – Top 10 Favorites of the 2017 Edition
In one of the most cavalier Cannes juries of recent years, the Pedro Almodovar led voting body closed out the 2017 edition of the...
The Conversation: Top 10 American Indie Filmmakers Missing in Action
No film buff wants to see a promising, or prominent filmmaker pull a disappearing act a la Terrence Malick, (though it seems he isn't keen to...
Criterion Collection: Eraserhead | Blu-ray Review
There was a time, not very long ago, when obtaining a decent copy of David Lynch’s first masterpiece, Eraserhead, was problematic. Selected in 2004...
Wild at Heart | Blu-ray Review
Midway through David Lynch’s Palme d’Or winning, bizarro road-tripping love story, Lula tells her lover Sailor, ‘This whole world is wild at heart and...
IONCINEPHILE of the Month: David Robert Mitchell’s Top Fifteen Films of All Time List
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile (read here), we ask the filmmaker the incredibly arduous task of identifying their top ten list of favorite films. This month we get not ten, but 15 and styled in a countdown manner from David Robert Mitchell, the filmmaker behind The Myth of the American Sleepover.