A dozen film titles with items dating back to this year's Sundance (David Zonana's Heroic), Berlinale (Lila Aviles' Totem and Tatiana Huezo's The Echo)...
In his sophomore feature, David Zonana plunges into the dark underpinnings that propel military college-type institutions in Mexico (not much different around the world)...
This week we throw ourselves into predicting the world premiere options for both the Venice and Toronto International Film Festivals. We begin by looking...
Hovering around the eighteen to twenty film selection range, the Un Certain Regard section wasn't necessarily overhauled but there was an unofficial memo that...
Heroico
A longtime producer for Michel Franco's films, Mexican filmmaker David Zonana finally kicked off his feature filmmaking career with Workforce (Mano de obra) in...
Surprises were few and far between at a relatively reserved 2019 edition of the Toronto International Film Festival. Sans a rather intense interest in...
Despite its various programming cutbacks over the past several years, TIFF remains an overwhelming buffet of juxtapositions. A marvelous chance to catch up on...
Arriving August 7th and extending through August 17th, the Locarno Film Festival and its leaping Leopard is the final stepping stone before the grand...
Labor (Mano de obra)
Mexican producer David Zonana steps into the director’s chair with his debut Labor (Mano de obra), produced through Michel Franco’s Mexico...
Iconic director Ken Russell was in town to receive a lifetime achievement award from Fantasia for his 50-plus years in the business, a career that has spawned many genre classics including Altered States, Gothic, and The Lair of the White Worm. But it was the little-seen and hard to find The Devils from 1971 that proved to be Russell's most controversial work, and Fantasia managed to snag a copy to be screened on Russell's big night. In the video, Russell discusses the true story behind the film and receives his award with the grace befitting one of the great filmmakers of all time.