Tag: Diana Elbaum
Green Border | Review
The Good Pole: Holland’s Humanitarian Drama a Steady Drizzle of Misery Porn
The difference between an exploitation vs. a social issue film can sometimes be...
Interview: Kamal Lazraq – Les meutes (Hounds)
Seeping with film noir elements, but working with a naturalism and with a moody underworld thriller genre with a certain dose of spirituality and...
Les meutes (Hounds) | 2023 Cannes Film Festival Review
Wash Away Your Sins: The Apple Falls a Bit Further Out From the Tree in Lazraq’s Stunning Debut
Father and son learn the power of...
Top 100 Most Anticipated Foreign Films of 2021: #22. Mahamat-Saleh Haroun’s Lingui
Lingui
Produced by Florence Stern, Diana Elbaum, Melanie Andernach
Directed by Mahamat-Saleh Haroun
Written by Mahamat-Saleh Haroun
Release Date/Prediction: Cannes Main Comp.
Top 150 Most Anticipated Foreign Films of 2020: #25. Lingui – Mahamat Saleh-Haroun
Lingui
Chad’s most notable director, Mahamat Saleh-Haroun, is readying his eighth feature, Lingui, produced by Florence Stern, Diana Elbaum and Melanie Andernach. The French-German co-production...
Top 150 Most Anticipated Foreign Films of 2020: #39. Where is Anne Frank? – Ari Folman
Where is Anne Frank?
A project seven years in-the-making, Israel’s Ari Folman should finally return with his high-profile animated feature Where is Anne Frank?, which...
Top 150 Most Anticipated Foreign Films of 2019: #77. Les envoûtés – Pascal Bonitzer
Les amis des amis
French writer and director Pascal Bonitzer commences on his eighth feature, Les envoûtés (formerly titled Les amis des amis), which features...
Top 100 Most Anticipated Foreign Films of 2017: # 60. Ari Folman’s Untitled Anne Frank Project
Director: Ari Folman
Writer: Ari Folman
We’ve been waiting quite some time for the latest project from Ari Folman, who broke out with 2008’s animated documentary...
Top 100 Most Anticipated Foreign Films of 2015: #74. Ari Folman’s Anne Frank Project
Untitled Anne Frank Project
Director: Ari Folman // Writer: Ari Folman
We were sorry to see Folman’s last film, 2013’s The Congress so apathetically received after...
