Tag: Eli Roth

The House with a Clock in Its Walls | Review

Clockwatchers: Roth Goes YA Route with Surprisingly Sweet Results It goes without saying, horror director Eli Roth, once part of the perversely coined Splat Pack...

Death Wish | Review

Wish in One Hand…: Roth Revamps Urban Terror for the Neo-Privileged Vigilantism isn’t perhaps the best narrative thrust for American audiences during the early days...

Top 25 Most Anticipated Studio Films of 2018: DuVernay, McQueen & Scorsese Top the List

Looking forward to the theatrical pleasures of 2018, the Hollywood studio system seems mostly a foregone conclusion save for a handful of items which...

Clown | Blu-ray Review

Director Jon Watts’ 2014 horror film Clown stands as the writer/director/producer’s feature debut, even though it arrived well after his moderately hailed sophomore effort...

Knock Knock | Review

While We’re Young: Roth’s Revisits Grindhouse Home Invasion Genre director Eli Roth presents his first remake, Knock Knock, a rehash of a 1977 grindhouse thriller,...

Sundance ’15: Eli Roth, Rodney Ascher, Bruce McDonald & David Robert Mitchell Land at Park City at Midnight

Last year's batch of eight films included the almost critic-proof trio of Adam Wingard's The Guest, Taika Waititi & Jemaine Clement's What We Do...

2013’s Midnight Madness Line-up include Venice bound flick from Sono & Juno Mak Plus 7 World Preems (McKee, Roth, Matsumoto)

Announcing nine out of ten titles from its 2013 lineup, TIFF’s Midnight Madness blazes in with a fever pitch, promising to be one of...

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2026 Cannes Critics’ Panel: Day 5 – László Nemes’ ‘Moulin’

Four films in and his second trip to the...

2026 Cannes Critics’ Panel: Day 4 – James Gray’s ‘Paper Tiger’

The last minute addition to the competition line-up (we...

Paper Tiger | 2026 Cannes Film Festival Review

In the Forests of the Night: Gray Frames Fearful...

2026 Cannes Critics’ Panel: Day 4 – Rodrigo Sorogoyen’s ‘The Beloved’

In a cinema that has worked with themes of...