Hysterical Intervention: Alper Gets Overwrought Exploring Tribalism
The land dispute at the center of Emin Alper’s latest film Salvation has all the trademarks of a...
There is a lot of unpack here with the official competition offerings which consists of two international premieres and twenty world premieres for a...
As has been the Berlinale’s custom of years past, several early competition titles have been confirmed along with the 2019 opener, Lone Scherfig’s The...
Anne Sewitsky's Sundance preemed Homesick, Cannes preemed Romanian imports from Radu Muntean's One Floor Below and Corneliu Porumboiu's The Treasure along with Athina Rachel...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.